sw web.jpg
       
     
 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     
 Student Work.    Beginning Painting.  Acrylic on Paper.
       
     
 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     
 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     
 Student Works.  Beginning Painting.  Acrylic on Panel.
       
     
 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     
 Student Work.  Intermediate Painting - Realism.  Oil on Panel.
       
     
 Student Work.  Intermediate Painting - Realism.  Oil on Canvas.
       
     
 Student Work.  Intermediate Painting - The Figure.  Oil on Canvas.
       
     
 Student Work.  Intermediate Painting - The Figure.  Mixed Media on Panel.
       
     
 Student Work.  Advanced Painting.  Acrylic on Canvas.
       
     
 Student Work.  Studio Painting.  Oil on Paper.
       
     
 Student Work.  Studio Painting.  Oil on Paper.
       
     
 Student Work.  Major Project: Painting.  Acrylic and Latex on Wood.
       
     
 Student Work.  Advanced Painting.  Oil on Canvas.
       
     
 Student Work.  Advanced Painting.  Oil and Acrylic on Paper.
       
     
 Student Work.  Sign Painting and Typography.  Latex and Enamel on Panel.
       
     
 Student Work.  Mural Painting.  Acrylic on Plaster and Masonry.
       
     
 Student Work.  Mural Painting.  Acrylic on Masonry.
       
     
pw web.jpg
       
     
 Richard Simmons Refusing to Participate in Our Current Cynicism.  2011.  Acrylic on Panel.  10 by 49 inches.  After Gustav Courbet's  Burial at Ornans  and a scene from Charles Schultz's  A Charlie Brown Christmas
       
     
 Proving the Incredulity of Saint Thomas.  2009.  Acrylic on Panel.  5 by 6.875 inches.  After Caravaggio's  The Incredulity of Saint Thomas    
       
     
  Abraham Lincoln Having a Staring Contest with Pete Rose.    2010.  Acrylic on Panel.  6 by 16.625 inches.    Af  ter   Jean Louis Ernest Meissonier's    Napoleon III at the Battle of Solferino
       
     
   
  
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     Now the LORD said unto Abram: “Get thee out of thy country, and from thy kindred, and from thy father's house, unto the land that I will show thee.”    2010.  Acrylic on panel.  10 by 17 inches.      After Emanuel Leutze's  Washington Crossing the Delaware,  Agnolo Bronzino's  Crossing of the Red Sea and Moses Appointing Joshua,  and   Evel Knievel's Snake River Canyon jump
       
     
 Settling for the Facsimile.  2008.  Acrylic on Panel.  5 by 7 inches.  After Frederic Remington's  In from the Night Herd
       
     
 Discovering the Swingline.  2008.  Acrylic on Panel.  5 by 7 inches.  After Frederic Remington's  The Scout: Friends or Foes
       
     
 Evel Knievel, the Hoover Dam, "Stonewall" Jackson, and Amber Waves of Grain.  2009.  Acrylic on Panel.  5.5 by 5.5 inches.
       
     
 Pearl Harbor, the Thirteen Colonies, Johnny Appleseed, and a G.I. Joe Arm.  2009.  Acrylic on Panel.  5.5 by 5.5 inches.
       
     
 Mountains Named After Presidents, Seen from a Distance.  (With Details)  2011.  Acrylic on Panel.  (Five panels each measuring) 2.9375 by 4 inches.   
       
     
 We're There, Yet...  2013.  Acrylic on Panel.  5 by 3.875 inches.  After a NASA photograph of the terrain surrounding an area called "Troy" on Mars
       
     
 Columbus Bringing Hyperbole and Blankets to the New World.  2010.  Acrylic on Panel.  10.5 by 20.75 inches.  After Martin Johnson Heade's  Lake George  and Emanuel Leutze's  Columbus Before the Queen
       
     
 Ponce de Leon Discovering the Fountain of Youth.  2012.  Acrylic on Panel.  10.5 by 23.25 inches.  After Frederic Edwin Church's  Niagara Falls  and Francisco Zurbaran's  The Defense of Cadiz Against the English
       
     
 Long Distance Effects.  2014.  Acrylic on Panel.  9 by 11.6 inches.  After Markus Pernhart's  Grossglockner  and Daniel Ridgway Knight's  Hailing the Ferry
       
     
 Waiting for the Inevitable.  2014.  Acrylic on Panel.  9 by 11.9 inches.  After Caspar David Friedrich's  The Sea of Ice  and Ilya Repin's  Barge Haulers on the River Volga
       
     
 The Tidal Lock.  2013.   Acrylic on Panel.   5 by 4 inches.   After Artemisia Gentileschi’s  Judith Slaying Holofernes
       
     
 Forever Looking Out.  2013.  Acrylic on Panel.  5 by 5.9 inches.  After Diego Velazquez’s  An Old Woman Frying Eggs
       
     
 Having Gained Enough Ground to Backslide.  2013.  Acrylic on Panel.  7.4 by 6 inches.  After Gustave Courbet’s  The Stone Breakers  and an illustration by Ed Valigursky
       
     
 All You Want to See.  2013.  Acrylic on Panel.  3.4 by 6 inches.  After Thomas Moran’s  Grand Canyon of the Yellowstone River  and an illustration by Ed Valigursky
       
     
 Having Found the Lowest Threshold (St. George Slaying the Dragon).  2013.  Acrylic on Panel.  6 by 7.08 inches.  After Nicolas Poussin’s  Massacre of the Innocents
       
     
 Only One Prepared for the Leak.  2013.  Acrylic on Panel.  6 by 7.625 inches.  After Diego Velazquez's  Apollo in the Forge of Vulcan    
       
     
sw web.jpg
       
     
 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     

Student Work.

Beginning Painting.  Acrylic on Paper.

 Student Work.    Beginning Painting.  Acrylic on Paper.
       
     

Student Work.  

Beginning Painting.  Acrylic on Paper.

 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     

Student Work.

Beginning Painting.  Acrylic on Paper.

 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     

Student Work.

Beginning Painting.  Acrylic on Paper.

 Student Works.  Beginning Painting.  Acrylic on Panel.
       
     

Student Works.

Beginning Painting.  Acrylic on Panel.

 Student Work.  Beginning Painting.  Acrylic on Paper.
       
     

Student Work.

Beginning Painting.  Acrylic on Paper.

 Student Work.  Intermediate Painting - Realism.  Oil on Panel.
       
     

Student Work.

Intermediate Painting - Realism.  Oil on Panel.

 Student Work.  Intermediate Painting - Realism.  Oil on Canvas.
       
     

Student Work.

Intermediate Painting - Realism.  Oil on Canvas.

 Student Work.  Intermediate Painting - The Figure.  Oil on Canvas.
       
     

Student Work.

Intermediate Painting - The Figure.  Oil on Canvas.

 Student Work.  Intermediate Painting - The Figure.  Mixed Media on Panel.
       
     

Student Work.

Intermediate Painting - The Figure.  Mixed Media on Panel.

 Student Work.  Advanced Painting.  Acrylic on Canvas.
       
     

Student Work.

Advanced Painting.  Acrylic on Canvas.

 Student Work.  Studio Painting.  Oil on Paper.
       
     

Student Work.

Studio Painting.  Oil on Paper.

 Student Work.  Studio Painting.  Oil on Paper.
       
     

Student Work.

Studio Painting.  Oil on Paper.

 Student Work.  Major Project: Painting.  Acrylic and Latex on Wood.
       
     

Student Work.

Major Project: Painting.  Acrylic and Latex on Wood.

 Student Work.  Advanced Painting.  Oil on Canvas.
       
     

Student Work.

Advanced Painting.  Oil on Canvas.

 Student Work.  Advanced Painting.  Oil and Acrylic on Paper.
       
     

Student Work.

Advanced Painting.  Oil and Acrylic on Paper.

 Student Work.  Sign Painting and Typography.  Latex and Enamel on Panel.
       
     

Student Work.

Sign Painting and Typography.  Latex and Enamel on Panel.

 Student Work.  Mural Painting.  Acrylic on Plaster and Masonry.
       
     

Student Work.

Mural Painting.  Acrylic on Plaster and Masonry.

 Student Work.  Mural Painting.  Acrylic on Masonry.
       
     

Student Work.

Mural Painting.  Acrylic on Masonry.

pw web.jpg
       
     
 Richard Simmons Refusing to Participate in Our Current Cynicism.  2011.  Acrylic on Panel.  10 by 49 inches.  After Gustav Courbet's  Burial at Ornans  and a scene from Charles Schultz's  A Charlie Brown Christmas
       
     

Richard Simmons Refusing to Participate in Our Current Cynicism.

2011.  Acrylic on Panel.  10 by 49 inches.

After Gustav Courbet's Burial at Ornans and a scene from Charles Schultz's A Charlie Brown Christmas

 Proving the Incredulity of Saint Thomas.  2009.  Acrylic on Panel.  5 by 6.875 inches.  After Caravaggio's  The Incredulity of Saint Thomas    
       
     

Proving the Incredulity of Saint Thomas.

2009.  Acrylic on Panel.  5 by 6.875 inches.

After Caravaggio's The Incredulity of Saint Thomas

 

  Abraham Lincoln Having a Staring Contest with Pete Rose.    2010.  Acrylic on Panel.  6 by 16.625 inches.    Af  ter   Jean Louis Ernest Meissonier's    Napoleon III at the Battle of Solferino
       
     

Abraham Lincoln Having a Staring Contest with Pete Rose.

2010.  Acrylic on Panel.  6 by 16.625 inches.

After Jean Louis Ernest Meissonier's Napoleon III at the Battle of Solferino

   
  
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     Now the LORD said unto Abram: “Get thee out of thy country, and from thy kindred, and from thy father's house, unto the land that I will show thee.”    2010.  Acrylic on panel.  10 by 17 inches.      After Emanuel Leutze's  Washington Crossing the Delaware,  Agnolo Bronzino's  Crossing of the Red Sea and Moses Appointing Joshua,  and   Evel Knievel's Snake River Canyon jump
       
     

Now the LORD said unto Abram: “Get thee out of thy country, and from thy kindred, and from thy father's house, unto the land that I will show thee.”

2010.  Acrylic on panel.  10 by 17 inches.  

After Emanuel Leutze's Washington Crossing the Delaware, Agnolo Bronzino's Crossing of the Red Sea and Moses Appointing Joshua, and Evel Knievel's Snake River Canyon jump

 Settling for the Facsimile.  2008.  Acrylic on Panel.  5 by 7 inches.  After Frederic Remington's  In from the Night Herd
       
     

Settling for the Facsimile.

2008.  Acrylic on Panel.  5 by 7 inches.

After Frederic Remington's In from the Night Herd

 Discovering the Swingline.  2008.  Acrylic on Panel.  5 by 7 inches.  After Frederic Remington's  The Scout: Friends or Foes
       
     

Discovering the Swingline.

2008.  Acrylic on Panel.  5 by 7 inches.

After Frederic Remington's The Scout: Friends or Foes

 Evel Knievel, the Hoover Dam, "Stonewall" Jackson, and Amber Waves of Grain.  2009.  Acrylic on Panel.  5.5 by 5.5 inches.
       
     

Evel Knievel, the Hoover Dam, "Stonewall" Jackson, and Amber Waves of Grain.

2009.  Acrylic on Panel.  5.5 by 5.5 inches.

 Pearl Harbor, the Thirteen Colonies, Johnny Appleseed, and a G.I. Joe Arm.  2009.  Acrylic on Panel.  5.5 by 5.5 inches.
       
     

Pearl Harbor, the Thirteen Colonies, Johnny Appleseed, and a G.I. Joe Arm.

2009.  Acrylic on Panel.  5.5 by 5.5 inches.

 Mountains Named After Presidents, Seen from a Distance.  (With Details)  2011.  Acrylic on Panel.  (Five panels each measuring) 2.9375 by 4 inches.   
       
     

Mountains Named After Presidents, Seen from a Distance.  (With Details)

2011.  Acrylic on Panel.  (Five panels each measuring) 2.9375 by 4 inches.

 

 We're There, Yet...  2013.  Acrylic on Panel.  5 by 3.875 inches.  After a NASA photograph of the terrain surrounding an area called "Troy" on Mars
       
     

We're There, Yet...

2013.  Acrylic on Panel.  5 by 3.875 inches.

After a NASA photograph of the terrain surrounding an area called "Troy" on Mars

 Columbus Bringing Hyperbole and Blankets to the New World.  2010.  Acrylic on Panel.  10.5 by 20.75 inches.  After Martin Johnson Heade's  Lake George  and Emanuel Leutze's  Columbus Before the Queen
       
     

Columbus Bringing Hyperbole and Blankets to the New World.

2010.  Acrylic on Panel.  10.5 by 20.75 inches.

After Martin Johnson Heade's Lake George and Emanuel Leutze's Columbus Before the Queen

 Ponce de Leon Discovering the Fountain of Youth.  2012.  Acrylic on Panel.  10.5 by 23.25 inches.  After Frederic Edwin Church's  Niagara Falls  and Francisco Zurbaran's  The Defense of Cadiz Against the English
       
     

Ponce de Leon Discovering the Fountain of Youth.

2012.  Acrylic on Panel.  10.5 by 23.25 inches.

After Frederic Edwin Church's Niagara Falls and Francisco Zurbaran's The Defense of Cadiz Against the English

 Long Distance Effects.  2014.  Acrylic on Panel.  9 by 11.6 inches.  After Markus Pernhart's  Grossglockner  and Daniel Ridgway Knight's  Hailing the Ferry
       
     

Long Distance Effects.

2014.  Acrylic on Panel.  9 by 11.6 inches.

After Markus Pernhart's Grossglockner and Daniel Ridgway Knight's Hailing the Ferry

 Waiting for the Inevitable.  2014.  Acrylic on Panel.  9 by 11.9 inches.  After Caspar David Friedrich's  The Sea of Ice  and Ilya Repin's  Barge Haulers on the River Volga
       
     

Waiting for the Inevitable.

2014.  Acrylic on Panel.  9 by 11.9 inches.

After Caspar David Friedrich's The Sea of Ice and Ilya Repin's Barge Haulers on the River Volga

 The Tidal Lock.  2013.   Acrylic on Panel.   5 by 4 inches.   After Artemisia Gentileschi’s  Judith Slaying Holofernes
       
     

The Tidal Lock.

2013.  Acrylic on Panel.  5 by 4 inches. 

After Artemisia Gentileschi’s Judith Slaying Holofernes

 Forever Looking Out.  2013.  Acrylic on Panel.  5 by 5.9 inches.  After Diego Velazquez’s  An Old Woman Frying Eggs
       
     

Forever Looking Out.

2013.  Acrylic on Panel.  5 by 5.9 inches.

After Diego Velazquez’s An Old Woman Frying Eggs

 Having Gained Enough Ground to Backslide.  2013.  Acrylic on Panel.  7.4 by 6 inches.  After Gustave Courbet’s  The Stone Breakers  and an illustration by Ed Valigursky
       
     

Having Gained Enough Ground to Backslide.

2013.  Acrylic on Panel.  7.4 by 6 inches.

After Gustave Courbet’s The Stone Breakers and an illustration by Ed Valigursky

 All You Want to See.  2013.  Acrylic on Panel.  3.4 by 6 inches.  After Thomas Moran’s  Grand Canyon of the Yellowstone River  and an illustration by Ed Valigursky
       
     

All You Want to See.

2013.  Acrylic on Panel.  3.4 by 6 inches.

After Thomas Moran’s Grand Canyon of the Yellowstone River and an illustration by Ed Valigursky

 Having Found the Lowest Threshold (St. George Slaying the Dragon).  2013.  Acrylic on Panel.  6 by 7.08 inches.  After Nicolas Poussin’s  Massacre of the Innocents
       
     

Having Found the Lowest Threshold (St. George Slaying the Dragon).

2013.  Acrylic on Panel.  6 by 7.08 inches.

After Nicolas Poussin’s Massacre of the Innocents

 Only One Prepared for the Leak.  2013.  Acrylic on Panel.  6 by 7.625 inches.  After Diego Velazquez's  Apollo in the Forge of Vulcan    
       
     

Only One Prepared for the Leak.

2013.  Acrylic on Panel.  6 by 7.625 inches.

After Diego Velazquez's Apollo in the Forge of Vulcan